I saved my belly dancer xxiv 2015 by youssef nabil.
Reza aramesh marble.
And now the gifted iranian artist reza aramesh has endued himself with the pleasurable tragic nature of the human condition in his site of the fall.
Behold someone that once had the human rights of a man.
2017 reza aramesh.
At 01 01 pm saturday 03 feb 1968 235 x 80 x 60cm hand carved polished carrara marble.
Beside the masterpieces of the antiquities museum upon the banks of the river rhine and finally before the threshold of the basel courthouse as.
Civilisations rise and fall time passes yet to be human never changes.
Sara immediately bombed nassib with photos determined that they buy sherpa s work.
Bedroom wall adorned with action 66 2009 by reza aramesh.
Site of the fall.
Behold someone that once had the human rights of a man.
So london based iranian artist reza aramesh draws attention to these anonymous victims by recontextualising media images of conflict through staged re enactments of the events to create.
Study of the renaissance garden action 182.
Study of the renaissance garden three hand carved and polished carrara marble sculptures crafted in pietrasanta italy to the ratio 5 4 of human scale are presented within three contrapuntal contexts.
Images of oppression and violence have been ubiquitous in reza aramesh s work.
This new sculpture carved in marble a material commonly reserved for celebratory purposes continues the artist s multi faceted explorations of the human ability to inflict suffering.
Using photography sculpture collage drawing video and performance reza aramesh recounts war reportage of violence as well as echoing the vision of fervent revival of the cycles of life.
In reza aramesh s site of the fall.
At 9 15 am sunday 28 may 1967 240 x 80 x 55cm hand carved polished carrara marble.
Image courtesy of the artist.
Study of the renaissance garden.
With an interest in the iconography of the human body and torment in western art history aramesh creates photographic and sculptural works that examine the cross section between beauty and suffering.
This new sculpture carved in marble a material commonly reserved for celebratory purposes continues the artist s multi faceted explorations of the human ability to inflict suffering.
My approach is a lot less researched than that of other people s.
Reza s work generates discussion towards topics of displacement war violence and trauma by using the subjected body as source material.
Art has no nationality gender or religion adds sara.
At the heart of iranian artist reza aramesh s practice is a razor sharp investigation of what it means to be human.
