Recording di offers some advantages like being able to reamp the di track through an amp after recording and being able to use amp sims that open the door to a wide variety of tones and effects right from.
Recording electric guitar amp.
Preamp selection for recording electric guitar.
And in cases where a tube amp is not an option and modeling is the only other choice you might be better off using guitar amp modeling software instead.
Ideally have the amps in the control room and run the longer leads to the speakers dynamic mics for electric guitar.
Get more amp simulation tips inside the free bonus pdf that goes with this.
They pretty much rule on anything.
Recording the sound of your electric guitar by miking your amp is a great way to simulate studio quality sound.
If you play an electric guitar then the simplest way is to connect the headphone line out from your amp to the line in of your soundcard.
There are so many mic pres that work great with guitar amps.
While many of us will record our electric guitars straight into a daw and use guitar amp and effects modelling to create the sounds we want there s just something about recording a proper guitar amp in a live room particularly a full fat valve amp.
All you need to do this is a simple computer guitar adaptor which has a standard jack input for your guitar lead on one end and a mini jack on the other.
Over the years i ve developed a somewhat committed relationship with a few.
I have tried so many dynamic mics over the years and always come back to the shure sm57.
A microphone on your guitar cab or combo s speaker captures the air movement produced by the drivers and introduces your room s tone into the recording how much room depends on mic type and placement.
There s never been a better time to record guitars using di or direct input.
The electric guitar pickup.
Similar to acoustic guitar recording an amp and di can each play a crucial role in the final result and recording both if possible can provide some cool options.
When it comes to recording electric guitar jay graydon s views on mic choice are pretty clear.
They re fabulous on guitar.
The guitars on appetite for destruction were recorded on an api desk.
So in the recording studio especially where sound quality is the priority a nice plain tube amp is still widely regarded as the ideal option.
The method works with bass guitars electric guitars and even acoustic guitars and other stringed instruments.
If you decide in the mix phase that you want more distortion you can use an amp simulator to add more.
As with recording an acoustic however mic ing up an amp is a process that requires a bit of knowledge and a fair bit of.
I love api preamps.
But if you record with too much distortion you are stuck with it.